Which play by Samuel Beckett is known for its minimalism and existential themes?

"Waiting for Godot" is a seminal work in the realm of minimalism and is celebrated for its profound exploration of existential themes. The play features a sparse setting and a small cast, mostly focused on two characters, Vladimir and Estragon, who wait for the elusive figure of Godot, who never arrives. This reflects the inherent absurdity of the human condition and the existential notion of waiting for meaning or purpose in life, which is often seen as unattainable.

The dialogue in the play is characterized by repetitive, circular conversations that emphasize themes of uncertainty, hope, and despair, making it a cornerstone of absurdist theatre. It challenges traditional narrative structures and character development, leaving audiences to grapple with philosophical questions about existence, time, and the nature of hope.

In contrast, the other options represent different styles and themes; for instance, "The Birthday Party" deals with themes of identity and threat but does not possess the same level of existential questioning that Beckett is known for. "Death of a Salesman" focuses on the American Dream and familial relationships, whereas "The Glass Menagerie" explores memory and personal narrative—none of which encapsulate the minimalist and intensely existential approach characteristic of "Waiting for Godot."